About my work

My work is an exploration of space and time, as recorded by the camera. The use of technology can disrupt both space and time in ways we cannot percieve, allowing us to see things as we have never done before. Whether these new ways of seeing are any more or less true than what we […]

Final Pieces

I have converted the latest train footage to video and will be using them as final pieces. Initially I had six to work with, however, one has a bus travelling through the scene which detracts from the ideas I am conveying and is generally distracting and a second piece of footage got encoded rather badly […]

10 Trains

I went back to the trains with a more developed shooting technique, allowing me to achieve much better footage, which in turn I hoped would produce stronger images and videos. Here I have some images, not all are quite the correct dimensions, but I can iron out the creases at a later point. For me, […]

09 Living Conveyor Belt

In this video I have gone back to some of my older footage, managing to present it in the most interesting way yet. This footage interests me because it mimics the actual technique used in factories to check components and products passing down a conveyor belt and applies this to real life. There is so […]

08 Traffic 2

After taking images of trains I was pretty sure that I could take any moving vehicle out of its environment in a similar way. I have shown here the example of a fire engine. The work is visually not as strong as the trains and perhaps has less meaning of speed – trains look fast […]

07 Body

I decided to experiment one last time with the body before deciding which route to take with my work. These stills are from a full video which I have decided not to post here. The technique twists and controts the body, it makes me think of the work of Anna Mendieta, it would be really […]

06 Self Portrait

In this video I have created a self portrait using my current video techniques. I think I have created something really interesting, but I am starting to move away from my original ideas about time and space, this is more to do with the body and the self, perhaps reality. I like the work and […]

Code

Here is some of the code that I had to use to process the videos into stills, scan them, and then convert them back into video again. I think that the code itself has a part in my work, and I am considering it being part of the work itself, showing directly how technology interacts […]

Paul Ardoin – Understanding Bergson

Bergson’s theory was incredibly difficult to read, let alone understand and analyse what it was that he was getting across, so I was grateful to find this book, which contains essays discussing Bergson’s theories in a more accessible format. It was of great relief to find this; The task of thinking real time – durée […]

Solargraph

A Solargraph is a photograph which is taken on a very long exposure, generally in a pinhole camera. The result is that the image takes on the surroundings, but the sun streaks across the sky multiple different times – showing a trace of its path. The resulting image is then fixed but not developed – […]

05 Turbine Video 2

I sourced more effective footage for a second turbine video. Here the effect is much more pronounced and more vivid, somewhat surreal and trippy. I am not sure that it demonstrates my theories of time and duration as well as some of the other work I have produced, but I still like what I have […]

Hiroshi Sugimoti

I have looked at the work of Sugimoto before but wanted to draw upon this series, which is taken inside a cinema. I like the work becuase it draws upon both the still and moving image, and uses one to capture the other. I think this is a great way to interact with the medium […]

05 Turbines

I was given the idea to shoot wind turbines, as they could be an interesting subject which may demonstrate the technique well. I agreed with the idea but wanted to test the concept before shooting footage to process. I took footage from YouTube and then looped it quickly, processing the resulting footage (hence the occasional […]

04 Trains Video

I feel this becomes very effective when converted to video. The train is now effectively moving in time, yet it is also fixed in space, yet the space around it moves. It is still, yet moving. Apart from the small tears in the video at the end I think this is close to what I […]

03 Traffic Video

I processed this footage, not having a full understanding of what I was doing, or what I would achieve. The shoot for this video was intended to be stills, so while others have told me it is effective, I feel it is unfinished, the results are not as clean as I would like. If I […]

04 Trains

For my next subject I decided to focus on trains. They move at a constant speed, and fairly slowly in the station. Because they are quite long they are easy to caputure across a panorama, compared to buses and cars which move too quickly and are hard to capture without other traffic and people interfering […]

03 Traffic

My first experiment with slit scan photography was with traffic and pedestrians. I found a good location and set up the camera in the best way I could. I shot video which was then processed into these still images. After the first few I realised ways to improve upon the quality and efficiency of the […]

02 People

These images show the movement of people up and down the steps, but they are not very organic looking, they do not look believable. Perhaps this subject could be enhanced with film rather than digital, to allow multiple exposures in camera along with the long shutter speeds – which would not create the noise and […]

01 Water

In this initial series I was looking to explore the motion in the water, I did this by using a neutral density filter and a slow shutter speed. To do this I used a slow shutter speed and a tripod, causing the water to blur and the landscape to remain stationary. The images show the […]

Rob Carter

Carter is an English photographer and artist whose work is centered around the concept of painting with light. He often creates very graphic imagery, yet through photographic means. He achieves his images using a special camera which has a swing lens – normally used to create a panorama. By swinging this lens across the image […]

La Jetee

http://vimeo.com/42460300 I looked into La Jetee because it succeeds in creating a film almost entirely from stills. There is also narration added to the film which was obviously not part of the original recording. This meeting of mediums appears seemless, with the audience not jarred or disorientated by its format, instead they become enveloped in […]

Francesca Woodman

Woodman was a young photographer, artist and student, who made most of her work in the 1970’s before her suicide at the age of 22. I wanted to look at her work because of the way in which she takes advantage of the camera and its recording method. The slow shutter allows the artist to […]

Miska Knapek

Knapek creates imagery based on time, which he has been delveloping for some time. It is vaguely based on slit-scan photography, although he writes as though he is unaware of the technique. His basic work comprises of time lapse images shown as one single image, allowing us to see multiple moments in time, all in […]

Keith Lam

In Mobile Brush Lam experiments with technology to “draw” an image from a video input. He explains how his softwares funciton in his video, which he says is a mobile phone application. Lam seems more interested in the interaction of the medium of technology and the world than the imagery itself. The use of technology […]

Egbert Mittelstaedt

Mittelstaedt uses slitscan photography to record a trace of his subject, when she moves her movement is recorded as a series of lines travelling across the image, a ghosting of her movement. This piece is quite effective visually, with good technical qualities and the movement and its recording become quite striking. The video is about […]

Daniel Crooks

Daniel Crooks is an artist who works with the slit scan technique. He uses it to distort and alter what we see in the real world with some good results, which he presents as series of videos, accompanied by stills. In this video, crooks uses his technique to create the illusion that the waves are […]

Zbig Rybczynski

In his video The fourth dimension Rybczynski uses a rolling shutter effect, similar to slit-scan photography, to alter our perception of time and space. In the video objects are warped and twisted, often around the actors, in a way not perceivable in the world we perceive. The story plays on the theme of entwinement, relationships […]

Jacques-Henri Lartigue

I have chosen to look at this image, not because of the artist, but the way in which it exhibits focal plane distortion, a related topic to slit scan photography. Because the shutter of the camera moved at a high speed, it was beginning to close before it was fully open, as it moved across […]

Andrew Davidhazy

Andrew Davidhazy is an academic who works at RIT in the US. He has written a lot abou the mechanics of both strip photography used in finishing line imagery as well as slit scan images caused by slowly exposed slits panning the image plane. I have read his texts for technical information, although I don’t […]

Jonathan Crary, Techniques of the Observer

This text explores vision, and how we see the world around us, very relevant to my studies, as my techniques disengage us with familiar ways of seeing for ones are “severed from a human observer.” (p1) These images do not refer to the way in which we, as humans see, what they refer to is […]

Tacita Dean

Tacita Dean is a British artist who works primarily with film. She sees film as an important medium in the way it has a tangability and interaction with time. Her work questions the act of looking, and whether there is honesty in what we can see. She works on her projects by learning from her […]

Eadweard Muybridge

Muybridge was an English photographer whose work was pioneering in the field of movement. His work studied the movement of people and animals, going as far as to reconstruct this movement in a device which he called the zooproxiscope, which projected still images from a spinning glass disc to create an illusion of movement. What […]

Harold Edgerton

Dr. Edgerton worked as both an artist and a scientist, looking at ways in which the camera could freeze motion, much like Muybridge and Marey before him. There are several strands to his work, including studies of movement, high speed images and military work for the US governments nuclear weapons program. His work centers around […]

Paul Gorman

Paul Gorman is an upcoming British photographer who recently graduated from Bournemouth University. Since graduating Gorman has featured in a number of group shows around the country and his work is beginning to gain momentum. His work explores space and time through the use of multiple exposures, which enables him to view an object or […]

Koyaanisqatsi

This film was made in 1982 by Godfrey Reggio. It is made up of slow motion video and time lapse clips of various landscapes, moving into the city and examining its movement. Yet again, this is a piece which contrasts the still and moving image in order to get us to re-evaluate time. Especially relevant […]

Rosalind Krauss, The Optical Unconscious

Krauss revisits Benjamin’s theory of the ‘optical unconscious’ and its importance to modernism, I feel this text is useful to my work as it deals with the eye of the camera and medium specificity. Benjamin’s work appears in most of the texts I have studied with reference to time and duration. Krauss looks at Benjamin […]

Liz Wells – The Photography Reader

In Wells’ book I have looked at an essay by Peter Wollen, in which he describes film and photography as “fire and ice” (p76) the fire is constantly flickering and moving, while the ice is frozen still. Time dominates the way in which we view photographs, as we view camera’s as “devices for stopping time”. […]

Henri Bergson – Time and Free Will

Bergson’s text explores time, duration and our concept of free will. He is interested in our senses and sensations, and how we perceive these. Here is an outline of his thinking which I found effective; “Look closely at a sheet of paper lighted e.g. by four candles, and put out in succession one, two, three […]

Damian Sutton – The Crystal Image of Time

Sutton discusses photographs as a “time-image” (pxi) which record the image of any given moment. This is in direct opposition to video, where time is displayed to us through the frame rate of the video. Immediately I can think of images which might not display any representation of time – even if time was a […]

Cinemagraph

Cinemagraphs are still photographs in which a minor and repeated movement occurs. Cinemagraphs, which are usually published in an animated GIF format, can give the illusion that the viewer is watching a video Wikipedia Here are some examples; As seen in the images, still and moving images are combined to make a short loop which […]

Dryden Goodwin

Dryden Goodwin is an English artist, mostly known for his series of portraits overlaying drawing with photography. Here I have selected one of his lesser known works, which formed part of a 1999 exhibition at the Site Gallery, Traffic. The piece presents us with a series of film stills, displayed as small transparencies on a […]

John Hilliard

John Hilliard is an English artist who uses photography in his work, which mostly challenges the concept of photography itself. He does this by exploiting things which are specific to the medium such as shutter speed and exposure in order to challenge its truth. By creating multiple versions of the same image, Hilliard proves that […]

Gerhard Richter

Gerhard Richter is a German artist and most prominently a painter, while he has also produced photorealistic paintings, and photographs which appear painterly or have been altered with paint. Again, this is an artist whose work links to the intermediatlity concept running through my work currently. Richter’s photographic work relies on it’s technique to demostrate […]

David Claerbout

David Claerbout is a Belgian artist who works with both photography and video, I am especially interested in the way which his work confronts the boundary between photography and video. He does this by exploiting cinematic projects of photographs, as well as photographic presentations of cinema, such as large format grids of video, used to […]

Intermediality

Intemediatlity: Coming between two things in time, place, or character; intermediate. Oxford Dictionary Different medias can come together and cross over to form new media, or to show new things. Technology is causing this to happen more and more often, with new inventions and applications we can bring together these forms more easily. A simple […]

Etienne Marey

Etienne Marey was a French scientist working in the late nineteenth century, he was a pioneer of both cineam and photography. His work looks at human movement using photography to capture and display the actions. His photography was created using a specially created “gun”, which captured 12 frames a second, all exposed onto the same […]

Time Slice – Tim Macmillan

Tim Macmillan is a photographer and videographer who pioneered the “Time Slice” effect while at University in the 1980’s. He designed his own equipment and process to capture his imagery. Macmillan’s specialised equipment is effectively a large metal ring, containing from hundreds of cameras, each of which create stills on 16mm film. The film is […]

David Green – Stillness and Time

Marking time: Photography, Film and Temporalities of the image Green looks at the work of Sugimoto, and how his work challenges photography’s “relationship to instantaneity and to the photographic image as the record of a brief and transitory moment in time.” (P9) In my work I wish to do the same. A photographic instant is […]

Brainstorm

Time Duration Speed Movement Travel Space Distort Manipulate Morph Change Vision Seeing Illusion Truth False

Introduction

This blog documents my third assignment for furthering creative practice. In this project I am exploring the relationship between time and space as documented by the camera. I am particularly interested in this, as the camera sees somewhat differently from us, having a differnet perspective and time-frame for its image capture than our vision. Video […]