My work is an exploration of space and time, as recorded by the camera. The use of technology can disrupt both space and time in ways we cannot percieve, allowing us to see things as we have never done before. Whether these new ways of seeing are any more or less true than what we traditionally see in photography is not easy to define, as the camera in its choice of shutter speeds and apertures is much more subjective in its approach than we would initially believe.
While photography shows only a record of a discrete moment from the past, I have intervened in this process with the use of, showing thousands of discrete moments from the past in one singular frame. Building these frames into short animations, my work sits in a realm between the still and moving image, somewhere between photography and film. It is time that is depicted in each frame, yet we percieve only the physical space of the train – as Bergson explains, as humans we often rely on counting time as space to simplify its concept and make it more tangible; my work emphasises this, and allows us to view time as space.